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—Enemy, designed by Shiva Nallaperumal, released by Lost Type.

Enemy is a bold stencil typeface for display use, originally designed as a custom face for the identity design of the Museum of Urban Art. It has been designed with the Latin Extended A Character set and has advanced open type features to support automatic rotation of alternate glyphs.

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—Quire Sans Extra Light, designed by Jim Ford, released by Monotype.

Quire: A classical term for a ‹signature› of printed leaves, folded and ready for binding with other signatures into a book or manuscript. With one foot in the world of pilcrows, fleurons and traditional book typography, and another in modern electronic media, the Quire Sans™ design plays both sides of the field. It’s a typeface for all media, and a mirror for whatever’s going on around it. Smiling but sometimes assertive. Slender but sturdy, when the need arises. And always eminently legible, large or small, on the page or on-screen.

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—Suffix Mono, designed by Suffix.

Suffix Mono is a contemporary monospaced geometrics type. Created by Suffix, the font was derived from the idea of creating a mono-weight stroke and a custom rounded terminal (mixing of curve and angle). This special font works well for both display and text. It also supports on-screen readability.

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Clear Sans Thin, designed by Daniel Ratighan at Monotype under the direction of the User Experience team at Intel's Open Source Technology Center.

Adopted by Mozilla for the Firefox for Android browser, Clear Sans has been recognized as a versatile OpenType font for screen, print, and Web. Clear Sans was designed with on-screen legibility in mind. It strikes a balance between contemporary, professional, and stylish expression and thoroughly functional purpose. It has a sophisticated and elegant personality at all sizes, and its thoughtful design becomes even more evident at the thin weight.