Cooper Hewitt Heavy, designed by Chester Jenkins of Constellation, commissioned by Pentagram for Cooper Hewitt.
—Noodge 20, designed by Conor Nolan and David Wall of TypeGroup.
—Brevier Viennese, designed by Johannes Lang and Ellmer Stefan.
Emboldened by the quaint beauty of a series of Founts named «Viennese» displayed in a type specimen by Reed and Fox—The Fann Street Foundry, London, 1874—«Brevier Viennese» was digitized by Johannes Lang and Ellmer Stefan.
—Aldo Open, designed by The Northern Block.
A bold stylised type face re-worked from the original 1970's movie poster The Battle For The Planet Of The Apes.
—Helsinki XXL Black, designed by Ludwig Übele of LudwigType.
Input Sans Compressed Regular, designed by David Jonathan Ross of Font Bureau.
Input is a flexible system of fonts designed specifically for code by David Jonathan Ross. It offers both monospaced and proportional fonts, all with a large range of widths, weights, and styles for richer code formatting.
Burlingame Condensed Black, designed by Carl Crossgrove, released by Monotype.
Burlingame is a multi-purpose font family that started out as a single typeface with a more specialist purpose. There’s a clue in the name: it was originally intended for a game identity. It has found a wider purpose following pioneering investigations by Monotype into the legibility of vehicle displays. The research revealed a set of optimum criteria for dashboard display fonts: large counters and x-heights, simple shapes and a loose spacing of characters.
A search of Monotype’s own library turned up nothing that fitted the bill exactly, so Carl Crossgrove was asked to develop his game font, Burlingame, with its open, clear shapes, into a family of faces that could meet the high-performance demands. His refinements, increasing the x-height, loosening the spacing and paring down the corners, improved the clarity and led to a design in two widths and nine fine weight grades, suited to a wide range of uses, from packaging and publishing to game and motion graphics.
—CamingoCode Bold, designed by Jan Fromm.
CamingoCode is designed for source-code editors. It is based on CamingoMono, but has several specially drawn glyphs that work well at small sizes, including Q, l, &, *, ~ and #. The stroke weights are relatively light, which makes CamingoCode suitable for both bright and dark visual themes. The family consists of four style-linked fonts (Regular, Italic, Bold and Bold Italic) and is manually hinted to give the best possible appearance on screens.
—Amsterdam, designed by Jarrik Muller, released by Citype.
The typeface is inspired by the facades of houses in Amsterdam. The letters remind me of my cycle tours through Amsterdam on a sunny weekend afternoon. I just love the city’s huge architectural diversity.
—Betafont Thin, designed by Graham Bradley and Franklyn for Betaworks.