Mission Gothic Thin, designed by James T. Edmondson and Trevor Baum, released by Lost Type.

The forms are inspired mainly by antique signage in San Francisco’s Mission District, which were heavily influenced by signpainting manuals from the early to mid 1900s. The shapes evoke a sense of nostalgia, without being cartoony or overtly retro in feel.

Mission Gothic is a low contrast sans serif, and is built mostly for display text. While Mission Gothic can be set small, it is intended for sizes larger than fourteen point, in order to let the nuances of this typeface shine.

via Lost Type.

—Brill Roman, designed by John Hudson of Tiro Typeworks for Brill.

After careful consideration, Brill has taken the initiative of designing a typeface. Named «the Brill», it presents complete coverage of the Latin script with the full range of diacritics and linguistics (IPA) characters used to display any language from any period correctly, and Greek and Cyrillic are also covered. There are over 5,100 characters in all. … «The Brill» is available in roman, italic, bold, and bold italic, with all necessary punctuation marks and a wide assortment of symbols. … «The Brill» complies with all international standards, including Unicode.

via Brill.

—Polsku Regula, designed by Sebastien Sanfilippo, released by OSP-foundry.

Polsku Regula is inspired by polish signage, street signs and shop windows lettering. The font file includes only the capitals the lower cases and a very basic set of punctuation marks.via OSP-foundry.

— ZXX Sans, by Sang Mun.

The name ZXX comes from the Library of Congress' Alpha-3 ISO 639-2—codes for the representation of names of languages. ZXX is used to declare No linguistic content; Not applicable.

This is Sang Mun's Degree Project at the Rhode Island School of Design. Under the guidance of John Caserta.

—Basetica Medium, by Matthieu Cortat of Nonpareille.

Basetica has been designed for the project ‹Open Switzerland›. BaseGVA wanted to show their commitment to the ‹Swiss› graphic design, with all its quality of precision and rigour. And at the same time represent Switzerland far from its common stereotypes. So, Basetica wants to be an ‹Helvetica for 2013›, open minded, neat and modern. Sometimes a bit raw, but always clean and discrete, Basetica ironically recalls the ‹Swiss International Style› of the 50s and 60s.via Open Switzerland.

—Lletraferida, by Josep Patau Bellart of Tipo Pèpel.

Lletraferida typeface, is a display font type of stain very heavy, and was designed to be used in large sizes. The forms are inspired by Didone most heavier fonts, but has tried to provide it with a more abrupt changes in line and play with counterform rectangular, to give it a more particular aspect. It has a generous set of characters that make it suitable to cover the vast majority of Romance languages and also includes basic Cyrillic characters. Contains several OpenType features, such as a decorative character set and trailing, ligatures, numerals, upper and lower. Lletraferida is for free distributed and use and distribute under license SIL Open Font License.

Tikal Sans Medium Italic by Miguel Hernández of Latinotype, freely downloadable from FontShop for a limited period.

The Details curved terminating strokes ended in sharp edges inspired in the ‹virgula› Mayan glyph that means ‹the spoken word›. Tikal is also known for being the largest city of the Mayan Classic Period and his name means «Lugar de Las Voces» (place of voices).via Latinotype.

Diterbitkan pada tanggal 1 April 2013, sepertinya memang sebuah lelucon april mop oleh Bruno Maag cum suis. Namun, coba saja unduh, barangkali saya berbohong.

—Büro Destruct studio visit, and a free typeface.

Saya baru saja mengetahui bila ada suatu hal semacam Geotica edisi tahun 2012, dapat diunduh secara cuma-cuma pula.